His reactions are also done nicely as it creates humor. After Hours review (1985, dir. Copyright © 2021 Penske Business Media, LLC. I’m not really good with who directed what, but when I found out Scorsese directed Shutter Island and Wolf of Wall Street I knew I was really going to like After Hours. ( Log Out /  (The film came together quickly after initial financing for “The Last Temptation Of Christ” fell apart.) An ordinary word processor has the worst night of his life after he agrees to visit a girl in Soho who he met that evening at a coffee shop. The Scorsese Experience: After Hours. Its appearance on DVD was long delayed. The Wire, “Late Editions”: You Remember Mike? Racing across images, like a dog straining at a leash, to scrutinize small details, or watching with rapt attention as a $20 bill floats to earth, the camera plays the role of a narrator whose manner is amused, skeptical and not at all inclined to allow itself to become sentimentally involved. It is truly a great film to watch from each perspective. With Griffin Dunne, Rosanna Arquette, Verna Bloom, Tommy Chong. According to Robinson, the bungee cords started smoking. While it may have seemed anti-climatic, I believe this was the most believable way for Omar’s character to go. "After Hours" is another chapter in Scorsese's continuing examination of Manhattan as a state of mind; if he hadn't already used the title "New York, New York," he could have used it this time.The movie earns its place on the list with his great films: "Mean Streets," "Taxi Driver" and "Raging Bull. The only thing that holds me back from giving the film 5 stars is the fact that it is not one of my favorite movies ever made. Often Scorsese has the camera follow people’s hands, as they grab matches, hail cabs, turn on lights, or grab a $20 from Kiki’s Munch-like sculpture. 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Martin Scorsese transforms a debilitating convention of 80s comedy—absurd underreaction to increasingly bizarre and threatening situations—into a rich, wincingly funny metaphysical farce…Scorsese’s orchestration of thematic development, narrative structure, and visual style is stunning in its detail and fullness; this 1985 feature reestablished him as one of the very few contemporary masters of filmmaking. Then again, perhaps not. I love how nervous he was the entire movie. ), and eventually turns most of the neighborhood against him. Change ), You are commenting using your Google account. After Hours marked the erstwhile end of Scorsese’s decade-long collaboration with Robert De Niro (to be reprised in the 1990’s for three more films: GoodFellas, Cape Fear and Casino) and saw Scorsese working with a younger generation of actors, including Dunne in his first starring role. How to Explain the Most Surprising Twists of This Year’s Oscar Nominations, Solve for Why: The Imaginary Numbers of Streaming — TV Podcast, Why Anyone Who Claims to Know the Future of Movie Theaters Is Wrong, What Does a Childhood Memory Look and Sound Like? So, in 1973, Scorsese released the semi-autobiographical Mean Streets. Omar Little’s whole life finally caught up to him. All rights reserved. After Hours (1985) Roughly three-quarters of the way through After Hours, its beyond-frazzled hero, Paul (Griffin Dunne), gets asked why he doesn’t just go home. After Hours (1985) saved Scorsese. Jason Bailey, FlavorwireIn 1984, Scorsese was about to fulfill a decade-long dream to make “The Last Temptation of Christ” — only to have Paramount pull the plug at the 11th hour, terrified by the protests and threats of evangelicals. Ballhaus filmed the second take with a fast crane move. It’s not the cleanest of prints, and many colors come off pretty muted, but on the positive side the dark range (and there’s a fair amount of it) is solid. https://ephemeralnewyork.wordpress.com/2013/01/31/what-a-downtown-or-brooklyn-rental-cost-in-1983/. Sign up for our Email Newsletters here. For Scorsese was one of Wake in Fright's earliest champions; after selecting it as a Cannes Classic in … The Wire never seems fails […], While viewers saw Marlo’s Crew get arrested and Scott Templeton caught in a lie this week, what stood out the most to me were the scenes that involved Michael as well as the one with Bubbles. Like your titled says, regardless of interpretation and analogy, this movie is just funny and entertaining the whole ride through. Article by Ruth Allen. The movie is pretty low-key compared to much of Scorsese's other work, at least in terms of action and ethics. But to paraphrase the owner of a late night diner in Scorsese’s 1985 dark comedy classic, After Hours is different. These people are undoubtedly the most entertaining part of the movie. Often Scorsese has the camera follow people’s hands, as they grab matches, hail cabs, turn on lights, or grab a $20 from Kiki’s Munch-like sculpture. Is Paul in this weird version of hell where going out is a nightmare and work is the best part of the day? Glad you liked the movie and I think you used images very well. Seidelman even cast some of the same actors, like Rosanna Arquette and Will Patton. Martin Scorsese’s After Hours: What does it mean? It’s a funny and peculiar picture, yet also one of Scorsese’s most energetic; you can feel that spirit of working to stay sane in nearly every askew frame of this unsung masterpiece. Scorsese and editor Thelma Schoonmaker cut down “After Hours” from over two hours to a lean 97 minutes, resulting in a film that’s all nervy energy and jittery rhythms. I am not saying this is a bad thing, but it is obvious that Simon and Burns spiced up the story a little bit for the […], I cannot understand why “The Dickensian Aspect” seems to get lost in online discussions and blogs about great episodes of The Wire. A friend described After Hours as a movie he always saw the cover for at the video store back in the day, and always thought it was a silly 80s comedy. Sie finden Rezensionen und Details zu einer vielseitigen Blu-ray- und DVD-Auswahl – neu und gebraucht. Get The Latest IndieWire Alerts And Newsletters Delivered Directly To Your Inbox. Read more. Now when I think about it, Paul was trapped within a nightmare. Schoonmaker’s editing and Michael Ballhaus’s camerawork actually serve as a punchline to some of best jokes, like Dunne insisting to a cab driver that there’s no need to rush, only for the camera’s frame rate to speed up to look like it’s racing like a bat out of hell, or a series of dissolves that show Dunne soliloquizing about his insane night to a bored listener. Read more. Each character is unique and equally bizarre, which makes you constantly wonder what they’re going to do next. Scorsese’s camerawork has always been dynamic, but in AFTER HOURS the camera threatens to run off the rails entirely, giving the film a reckless energy that’s aided and abetted by the mobility of the Steadicam. Introduction: Martin Scorsese: storyteller, illusionist, smuggler and iconoclast -- Childhood in Little Italy ; New York University -- Who's that knocking at my door? It’s Scorsese’s chance to channel his own misfortunes into a film, then laugh them off. Is it supposed to represent how people in society are too self-absorbed to help each other? After Hours by Martin Scorsese a movie to download on LaCinetek. Paul quickly finds out that the world of After Hours is a weird nightmare that he cannot wake up from as he desperately tries to go home. The ordeal begins when Paul Hackett (Griffin Dunne) gets lonely and decides to leave the posh East Side and search the Soho … This kept me on edge the whole time. This showed how messed up Scorsese’s life was at the time, and it showed how much his life was spiraling. ( Log Out /  DeNiro. Salmonella: Truly Funny with Style. New York. I also agree with what you said about how the people he meets are the most interesting part of the film and I think it can be said for real life. Scorsese and editor Thelma Schoonmaker cut down “After Hours” from over two hours to a lean 97 minutes, resulting in a film that’s all nervy energy and jittery rhythms. Read more. Broadcast your events with reliable, high-quality live streaming. The near-ubiquitous aural presence of the Rolling Stones. – Joey. Some found “The King of Comedy,” Martin Scorsese’s vehicle for Jerry Lewis, baffling when it opened in 1983. As ever, the ostensibly apolitical filmmaker produces a work that summarizes its time, a vision of a desperately maintained Reagan-era fantasy of capitalist overwork eroded by, then rebuilt around the carnal pleasures hidden by that system of labor value. Read more. The multiple interpretations allow the film to be both entertaining and interesting no matter how many times you watch it. At what I assume was Mr. Scorsese’s direction, Mr. Ballhaus’s camera takes on an aggressive, willful personality of its own. Gangsters. Perhaps. 1985 Origine : États-Unis Genre : Comédie Réalisation : Martin Scorsese Avec : Griffin Dunne, Rosanna Arquette, Linda Fiorentino, John Heard… Dans un bar new yorkais, un soir. What does this all mean though? After the startlingly original Raging Bull, a film that lived up to its title and has been voted the best (and, to my mind, most indie-spirited) Hollywood film of the 1980s, Martin Scorsese took a brief detour into uncharted territory with his next two offerings. An ordinary word processor has the worst night of his life after he agrees to visit a girl in Soho who he met that evening at a coffee shop. Scorsese: After Hours. After Hours would not be as compelling as it is without the genius combination of director, Martin Scorsese, and director of cinematography, Michael Ballhaus. In The King Of Comedy, Scorsese looked at the culture of celebrity, here he looks about urban loneliness, alienation and how listening to your fellow man might make life just a bit more easier. The Wire, “Clarifications”: Rest in Peace Omar Little, The Wire “Took”: The Difference with Season 5, The Wire, “The Dickensian Aspect”: An Underrated Episode. It’s awkward, funny, and sort of scary even all at the same time. Indie Movies Old Movies Teri Garr Young Frankenstein Film Blade Runner Acting Tips After Hours Christopher Nolan Martin Scorsese. The best thing about ”After Hours,” however, is the photography by Michael Ballhaus. After Hours was a rollercoaster to say the least. Scorsese is well known for his moving camera, but in After Hours it feels especially appropriate to the story of this man trying so hard to stay in motion, to just get home. Honestly though, Paul is no different than these people. It is simply a fantastic ride that will keep viewers on of edge of their seats. And I couldn’t help but think, what would I do if I was in this predicament. This is what makes the dialogue in the film so amusing. 16. There was alot going on, and Robert De Nero held the spotlight once again. Apart from that, I thought Paul’s character was very serious and mannered, until his manners were irrelevant as the horror progressed, but nonetheless, still serious. With Paul and the other characters constantly talking past each other it is almost like they are having separate conversations. Many of the characters were unapologetically strange in their dialogue and Paul’s reactions can be really funny and genuine with him being in total disbelief at what he is hearing or seeing. What’s Not to Love? Like The Trial but bad and not funny. Posted By Sam "Burgundy Suit" Scott on March 9, 2015 in Features | 4 Responses Everyone knows Martin Scorsese loves New York City, but that doesn’t quite sum up all his feelings about it. More painfully, his dream project, The Last Temptation of Christ, had been cancelled by Paramount at the eleventh hour just before he was to start p But the film is more of a film of the 70s, whilst After Hours is a very much an 80s film, and its because of this I would go far and say that After Hours is Scorsese's best film of the decade. Create. He was growing tired of the increasingly slow, obstacle strewn way Hollywood pictures got made. Read more.Dave Kehr, The Chicago Reader. Die Zeit nach Mitternacht (Originaltitel: After Hours) ist eine US-amerikanische Filmkomödie, im Stile des Schwarzen Humors, aus dem Jahr 1985 von Martin Scorsese. An ordinary word processor has the worst night of his life after he agrees to visit a girl in Soho who he met that evening at a coffee shop. Turns out he just ends up at work the next day. There was alot going on, and Robert De Nero held the spotlight once again. Half way through the episode I started to think that it would be great to have the first version of the theme song playing during the last montage. This whole movie does a great job of showing off the eccentricity of people and how no two people are ever the same. This generates the film’s sinister undertone, as in a scene where he tries to explain all the things that have befallen him, and fails, perhaps because they sound too absurd even to him. After the first take was done, producer Amy Robinson, director Martin Scorsese, and cinematographer Michael Ballhaus refused to do the shot like that again for fear of Dunne's safety. Ten minutes in I was thinking about how fantastic it had already been and it did not slow up from there. Der Produzent des Films, Griffin Dunne spielt gleichzeitig auch die Hauptrolle Handlung. Stay on top of the latest breaking film and TV news! You mentioned the dialogue too which I also loved. Luke, It’s on HBO Max so I guess check it out. Sign Up: Stay on top of the latest breaking film and TV news! However, he was only in SoHo for one night. In 1983, “The Last Temptation of Christ” fell apart when Paramount pulled the plug weeks before filming was about to start, and Martin Scorsese needed to make something, anything, to keep his career going. He was in way over his head throughout the whole season and an abrupt death fifteen minutes into an episode was perfectly fitting. Griffin Dunne is absolutely hilarious at portraying Paul’s frustration in these encounters, as it will make you laugh and feel bad for Paul. Very different. I would like to see what he’ll do the night after with half the city out to get him. Quentin Tarantino’s Kill Bill Vol. And then there’s After Hours, about as literal a picture of hell as you’ll get in a Scorsese picture, set in the greatest city on earth in the time most people are most excited to be there. https://ephemeralnewyork.wordpress.com/2013/01/31/what-a-downtown-or-brooklyn-rental-cost-in-1983/, Interview with Director/Writer of “Great Choice”, Robin Comisar, Interview with Director/Writer/Starring Actress of “Gold Star”, Victoria Negri, Interview with the Director of “Salmonella”, Michèle Deslauriers, Great Choice: Bizarrely Brilliant (Review & Interview with Filmmaker Robin Comisar), The Deuce, “What Kind of Bad?” You Need to Know, The Deuce, “See Money” Importance of the Opening Scene, The Deuce, “The Principle Is All” Coming into The Story, The Deuce, “Show and Prove” Wire Problems, The Deuce, “Pilot” Establishing the Universe, Gold Star: An Incredibly Personal Debut (Review & Interview With Filmmaker Victoria Negri). Infused with Michael Powell’s reds and camerawork to make Ophüls blush, the film plunges into a comic nightmare shade of New York in which S&M, modern art and light hellraising shake up the rota of Griffin Dunne’s desk jockey. Marcy was so emotionally distraught that she committed suicide. This happens throughout the entire film as it is made clear that no one Paul comes across will ever actually help him. Download Citation | After hours: Scorsese on absurdity | Martin Scorsese is best known for films like Taxi Driver (1976), Raging Bull (1980), Goodfellas (1990), and Mean Streets (1973). Paul Hackett's (Griffin Dunne) terrible night happens in the SoHo area of downtown Manhattan when he goes to keep a date with Marcy (Rosanna Arquette). This Article is related to: Reviews and tagged After Hours, Catherine O'Hara, Criticwire Classics, Griffin Dunne, Martin Scorsese, Rosanna Arquette. Martin Scorsese's After Hours is a dark, tragi-comic tale of a fish out of water, centering on an uptight, white-bread computer consultant from uptown Manhattan who finds himself in the nightmarish and incomprehensible (to him) world of Soho after dark. Interviews with leading film and TV creators about their process and craft. 25th Oct 2011; Following the amazing The King of Comedy, Martin Scorsese decided to stick with the genre and added a new layer of a nocturnal odyssey on top for good measure.After Hours is undoubtedly Scorsese’s most beloved cult hit although it was given the cold shoulder by audiences on its original release. Create a free website or blog at WordPress.com. I think what makes After Hours such a great movie is the fact that it can fit all of these interpretations. After Hours is a very strange, darkly comedic night time adventure in Soho, where misfortunes befall a man all night long. Change ), You are commenting using your Twitter account. It is as if he just barely escaped before being trapped in work for the rest of the night. I really dig your review!!!! Another of those chance juxtapositions I described in last month's column? The particular impression that I am talking about was when Paul Hackett played by Griffin Dunne first entered a taxi cab to go see Marcy at her friend Kiki’s apartment. Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. This was the first time I have seen the film After Hours and my first really significant impression of the movie happened early into it. After Hours by Martin Scorsese a movie to download on LaCinetek. After Hours est un film réalisé par Martin Scorsese avec Griffin Dunne, Rosanna Arquette. "After Hours" is not routinely included in lists of Scorsese's masterpieces. I to wonder if he’s in some form of Hell. More thoughts from the Criticwire Network:Edward Copeland, Edward Copeland’s TangentsFor the uninitiated, to spoil much more of the plot developments would ruin the twisted fun of a truly unpredictable comedy, a comedy that will tie your stomach in knots as you wonder whether or not Paul Hackett can survive this evening or not. Was it just a bad night out for Paul? This is the Criticwire Classic of the At the same time, After Hours contains so many kooky characters played by such a talented ensemble and delivers so many classic moments and memorable lines, in its own way for those who have shared in its madness, it’s as quotable as “Airplane!” Read more. Tom Jolliffe looks back at After Hours, Scorsese’s own theme park ride… Martin Scorsese is firmly in the limelight right now. The film After Hours by Martin Scorsese is a simply an incredible journey that viewers take and then wonder what all of it meant. Paul himself is mostly the outsider observer type there to experience weird stuff and comment on how weird it is. Gangsters. Directed by Martin Scorsese. Meanwhile, He continuously comes across the strangest people who will not leave him alone. He was put through one hell of a night and it kept your attention throughout. When I finally caught up with this remarkable film, what immediately struck me was how closely it anticipated an actual black comedy: Martin Scorsese's After Hours (1985). “After Hours” could be called a “hypertext” film, in which disparate elements of the plot are associated in an occult way. Obviously the gates look different this time as the image of them opening is seems to represent gates of heaven. Der Programmierer Paul Hackett (Griffin Dunne) trifft in einem Café Marcy Franklin (Rosanna Arquette). It’s interesting that you found some parts of the film and Paul’s character hilarious. To outsiders, it plays as a paranoid fantasy, but Scorsese claims that locals have no trouble believing it. I feel like After Hours was something that was based off of Scorsese’s life. They are the ones that change us and give us things to talk about. Scorsese and editor Thelma Schoonmaker cut down “After Hours” from over two hours to a lean 97 minutes, resulting in a film that’s all nervy energy and jittery rhythms. After Hours Martin Scorsese. But that restlessness perfectly complements the feeling of creeping, comic paranoia that Paul experiences over the course of this long night’s journey into day.